![]() ![]() ![]() Additionally, if you're intending to use the F7s with the SubF, a switch to enable high-pass filtering at 80 Hz is provided. As well as the gain dial (from minus infinity to +6 dB), two EQ controls are provided, with plus-or-minus 6 dB of shelf control above 5 kHz and below 300 Hz. The rear panel of the F7 reflects its multi-purpose use, with a balanced XLR input alongside a balanced/unbalanced TRS input and an unbalanced RCA connector. With the latter two applications in mind, the F range includes its own dedicated sub unit, the SubF (available separately), from which the F7 or F5s can act as satellites. ![]() Adam considers its new F Range, featuring the F7s and the smaller F5s, to be perfect for music producers and listeners alike, as well as those looking for home cinema surround sound solutions and even dedicated gamers. Among those to have recognized that one speaker might cater to a range of possible users is Adam, whose A series studio monitor is popular amongst a range of pro and semi-pro producers. Some music makers have grown tired of cold and hard studio monitors, while some hi-fi enthusiasts are similarly frustrated by models with over-sweet, flattering frequency responses. But the lines between creative and consumer listening have blurred in recent years. There used to be a significant difference between speakers made for hi-fi listening and those designed for producing and mixing music. ![]()
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March 2023
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